Showing posts with label Tchaikovsky. Show all posts
Showing posts with label Tchaikovsky. Show all posts

Wednesday, April 1, 2026

Classical music thrift shop bonanza!

Ninety Minutes from a thrift shop in Breda

Good morning! In Breda, the Netherlands, there is a second-hand charity shop I love to visit. Huge quantities of clothes, books, household appliances and of course CDs and vinyl records change hands there. Who owned those records? When were they played? Why were they given away? Every time I stand there holding one of those records, I ask myself these questions. Sometimes there is a date written on them, sometimes not. Since my house is already full enough, I often take a photo as a souvenir rather than the record itself. This week's playlist, ninety minutes long, is filled with three of the records I held in my hands and photographed.

The first is on a remarkable label: Everest. Founded at the dawn of the stereo era, Everest acquired 3-channel 35mm magnetic film recording equipment and used it through the early 1960s to capture sound with exceptional fidelity. Sir Malcolm Sargent conducts two works by Ottorino Respighi: The Fountains of Rome and The Pines of Rome — two pieces that lent themselves perfectly to showcasing the spectacular possibilities of recording technology in 1960.

The second record was released in 1967: Tchaikovsky's First Suite, conducted by Antal Doráti. Now largely forgotten, the suite was in Tchaikovsky's own time one of his most frequently performed works. He took it to several European stages himself and it was also the piece he conducted, for example, with the Berlin Philharmonic.

The last record is a rather special little single from Philips' budget "Musikalische Edelsteine" series. What makes it remarkable is that it is an early stereo release, from around 1960, whereas most records in the series were issued in mono. The recording itself comes from conductor Dimitri Mitropoulos and the New York Philharmonic, originally taped in 1957.

Ottorino Respighi

1879 – 1936

The Fountains of Rome (Fontane di Roma), P. 106 (1916)

Label: Everest SDBR-3051 · Recorded: 1959/1960, Walthamstow Assembly Hall, London

London Symphony Orchestra · Sir Malcolm Sargent, conductor

  • I. The Fountain of the Valle Giulia at Dawn
  • II. The Triton Fountain
  • III. The Fountain of Trevi at Mid-day
  • IV. The Fountain of the Villa Medici at Sunset

The Pines of Rome (Pini di Roma), P. 141 (1924)

Label: Everest SDBR-3051 · Recorded: 1959/1960, Walthamstow Assembly Hall, London

London Symphony Orchestra · Sir Malcolm Sargent, conductor

  • I. The Pines of the Villa Borghese
  • II. The Pines Near a Catacomb
  • III. The Pines of the Janiculum
  • IV. The Pines of the Appian Way

As found in Breda — Everest SDBR-3051, "First in 35 MM Recording"

Pyotr Ilyich Tchaikovsky

1840 – 1893

Suite No. 1 in D minor, Op. 43 (1878–1879)

Label: Philips · Recorded: August 1966, London · ℗ 1967

New Philharmonia Orchestra · Antal Doráti, conductor

  • I. Introduzione e Fuga — Andante sostenuto – Moderato e con anima
  • II. Divertimento — Allegro moderato
  • III. Intermezzo — Andantino semplice
  • IV. Marche miniature — Moderato con moto
  • V. Scherzo — Allegro con moto
  • VI. Gavotte — Allegro
As found in Breda — Philips stereo LP, with a sticker from Radio Leo, Rotterdam

Pyotr Ilyich Tchaikovsky

1840 – 1893

Slavonic March (Marche slave), Op. 31 (1876)

Label: Philips Musikalische Edelsteine / Hi-Fi Stereo 45, cat. no. 740 102 AV · Recorded: 1957, New York · issued c. 1960

New York Philharmonic · Dimitri Mitropoulos, conductor

  • Slavonic March, Op. 31 (Side 1 & 2)
As found in Breda — Philips 45 Hi-Fi Stereo single, "Musikalische Edelsteine" series, c. 1960

Wednesday, May 3, 2017

Innovative classical music programming

Now here is some imaginative programming…!!! The string quartets of 19th century Pyotr Ilyich Tchaikovsky, 20th century Sergei Prokofiev and 21st century Gabriel Prokofiev are combined on these three CD’s (of one big spotify playlist, to stay in 21st century terms ;-). The latter, Gabriel Prokofiev, is the grandson of Sergei Prokofiev, if you were asking… Performances by the Ruysdael quartet (who studied two years at the Berliner Hochschule with the Alban Berg quartet and did masterclasses with the Amadeus Quartett, Hagen Quartett and Quatuor Mosaïques) are exemplary. 

The Strad was very positive about the first disc and all music writes about the third:

The Ruysdael Quartet approaches each of these compositions with an admirable level of intensity and commitment to detail. Their blended sound quality is especially enjoyable, with each instrument taking turns coming to the foreground at different points in the music. Overall tone of the quartet is dark and powerful, brilliantly balanced, and possessing an enviable palate of colors. Rhythmic precision, which is absolutely necessary for these works, is present in abundance. Virtually all other technical aspects of the performance are exceptional, save for some curious difficulties in intonation between first and second violins when playing in octaves. The majority of the playing, however, is at an extremely high level and coupled with the thoughtful programming and informative liner notes makes for a highly worthwhile disc.

And after hearing the playlist I wonder why these CD’s went by so unnoticed, actually. Anyway, here the are ad I hope you will enjoy them on Spotify!

Track 01-04 Pyotr Ilyich Tchaikovsky — Quartet no. 1 op. 11 (1871)
Track 05-07 Sergei Prokofiev — Quartet no. 1 op. 50 (1930)
Track 08-11 Gabriel Prokofiev — Quartet no. 1 (2003)
Track 12-15 Pyotr Ilyich Tchaikovsky— Quartet no. 2 op. 22 (1874)
Track 16-18 Sergei Prokofiev — Quartet no. 2 op. 92 (1941)
Track 19-22 Gabriel Prokofiev — Quartet no. 2 (2006)
Track 23-26 Pyotr Ilyich Tchaikovsky — Quartet no. 3 op. 30 (1875)
Track 27-30 Sergei Prokofiev — Sonata for 2 violins op. 56 (1932)
Track 31-35 Gabriel Prokofiev — Quartet nr. 3 (2010)

Ruysdael Quartet
Emi Ohi Resnick, violin
Joris Van Rijn, violin
Gijs Kramer, viola
Jeroen Den Herder, cello
Recorded between 2008 and 2010




(Webplayer link)




Sergei and Gabriel Prokofiev

Saturday, May 14, 2016

Queen Elisabeth competition Elisabethwedstrijd 75 years on Spotify

And yes, sooner than I expected the circus of the Queen Elisabeth competition ( #kew2016 on Twitter) has started again! For me, in 1983, it was the first time I ever came across classical music. If you think the Eurovision song contest is alienating, try the full week of piano madness when you are in your early teens ;-) 

Especially the winner of that year, Pierre-Alain Volondat, with his robot-slow-bows is for ever imprinted in my memory… 
The nice thing about the 75 years of QEC CD box is that not only the winners are on it, but also some fine 2nd or 4th place performances, just like on the CD box with the violin performances.

Hope you will enjoy the list, also notable for the inclusion of conductor Belgian conductor Franz André, who’s LP’s are often well sought after collectors item. 
All recordings are live recordings from the competition!




(HTTP web link to 7 hours of Queen Elisabeth history)


-Pjotr Iljitsj Tsjaikovski
Piano concerto no 1 in Bb major
Valery Afanassiev, Russia, 1st prize 1972
Orchestre National de Belgique
Rene Defossez, conductor

-Franz Liszt
Piano concerto no 1 in Eb major
Vladimir Ashkenazy, Russia, 1st prize 1956
Orchestre National de Belgique
Franz Andrér, conductor

-Franz Liszt
Piano concerto no 2 in A major
Pierre-Alain Volondat, France, 1st prize 1983
Orchestre National de Belgique
Georges-Elie Octors, conductor

-Sergei Rachmaninov
Piano concerto no 2 in c minor op 18
Wolfgang Manz, Germany, 2nd prize 1983
Orchestre National de Belgique
Georges-Elie Octors, conductor

-Sergei Rachmaninov
Piano concerto no 3 in d minor op 30
Andrei Nikolsky, Russia, 1st prize 1987
Orchestre National de Belgique
Georges-Elie Octors, conductor

-Ludwig van Beethoven
Piano concerto no 4 in G major op 58
Frank Braley, France, 1st prize 1991
Orchestre National de Belgique
Ronald Zollman, conductor

-Johannes Brahms
Piano concerto no 1 in d minor op 15
Leon Fleisher, USA, 1st prize 1952
Orchestre National de Belgique
Franz André, conductor

-Johannes Brahms
Piano concerto no 2 in Bb major op 83
Denis Kozhukhin, Russia, 1st prize 2010
de Filhamonie
Edo de Waart, conductor

-Sergei Prokofiev
Piano concerto no 2 in g minor op 16
Anna Vinnitskaya, Russia, 1st prize 2007
Orchestre National de Belgique
Georges-Elie Octors, conductor

-Sergei Prokofiev
Piano concerto no 1 in Db major op 10
Malcolm Frager, USA, 1st prize 1960
Orchestre National de Belgique
Franz André, conductor

-Frédéric Chopin
Piano concerto no 1 in e minor op 11
Jeffrey Swann, USA, 2nd prize 1972
Orchestre National de Belgique
Rene Defossez, conductor

-Frédéric Chopin
Piano concerto no 2 in f minor op 21
Cécile Ousset, France, 4th prize 1956
Orchestre National de Belgique
Franz André, conductor



Monday, February 1, 2016

Jaap van Zweden on Spotify Part Two - The Dallas connection

Jaap does Dallas... 

To many peoples surprise, Dutch conductor Jaap van Zweden will be the Chief Conductor of the New York Philharmonic Orchestra. Questions were raised; is he up to the job? Will the orchestra members get along with him? Is he at home in contemporary repertoire? To start with the last question, maybe not in Dallas, where he conducts the Dallas Symphony orchestra, but he certainly is in the Netherlands, where he conducts many contemporary orchestra works. 

Is he up to the job? In an earlier blog page, I made a spotify list of Jaap van Zweden with a fine Bruckner 6 and a magnificent Mahler 5, http://classicalspotify.blogspot.nl/2014/12/jaap-van-zweden-on-spotify.html but wondered if he could pull the same quality from the Dallas Symphony Orchestra. Not always, as Beethoven 5 and Mahler 6 were just nog my taste, but I did find some other recordings I would like to share that gave me confidence for his New York job. 
Sweeping opening chords and firery last movements in Beethoven 7, Willful winds and sweet toned strings in Tchaikovsky 5, from the same composer the Mozertiana suite (not so well known), first two movements bit underplayed but followed by glorious “Ave Verum” and big variations movements and as last on the playlist the most recent recording, a warm Dvorak 9. 

Hope you will enjoy the recordings selected below!

Ludwig van Beethoven (1770-1828)
-Symphony no 7 in A-Major op 92
Dallas Symphony Orchestra,
Jaap van Zweden, conductor
First recording of Jaap van Zweden with the Dallas Symphony orchestra, November 2007, Morton H. Meyerson Symphony Center, one year before his appointment as Chief conductor of that orchestra

Piotr Ilyitch Tchaikovsky (1840-1893)
-Symphony no 5 in e-minor op 64
Dallas Symphony Orchestra,
Jaap van Zweden, conductor
Live January 2009 Morton H. Meyerson Symphony Center

-Suite for Orchestra no 4 in G major, Op. 61 "Mozartiana" 
Dallas Symphony Orchestra,
Jaap van Zweden, conductor
Live September 2010 Morton H. Meyerson Symphony Center

Antonin Dvorak (1941-1904)
-Symphony in e minor op 95 “from the new world” 
Dallas Symphony Orchestra,
Jaap van Zweden, conductor
Live January 2014 Morton H. Meyerson Symphony Center





https://open.spotify.com/user/otterhouse/playlist/28nKpskS65AoOS7Cv3n7UZ
(HTTP link)